April 18, 2013

Top 10 Student Works from my Illuminated Errors course on Skillshare

#7

April 15, 2013

Top 10 Student Works from my Illuminated Errors course on Skillshare

10 Hex/Vs/Text by Sean Antonucci

See the full project here: http://www.skillshare.com/Illuminated-Errors-Create-Visual-Glitch-Art/663009154/28747861/projects/7411

March 21, 2013

Pink Melt (with process screenshots)

A GIF created by animating screen captures from QuickTime Player 7 playing back an h.264 encoded .MOV video file that was stuffed into a blank .TIFF file using HexFiend, opened and edited using GIMP, saved as a .TIFF and converted back into a .MOV by copying and pasting data in HexFiend and saving as a .MOV.

Learn how to do this and more in my upcoming ONLINE Visual Glitch Art Course.  Use the discount code TUMULT for $5 off the $20 enrollment price.  SIGN UP HERE.  Do it now!

December 24, 2012
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Superfluidity
Static and Dynamic.  A GIF created at the breaking point of a databent DV.

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Superfluidity

Static and Dynamic.  A GIF created at the breaking point of a databent DV.

December 16, 2012

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Scene Within a Screen

HD Video taken during Gli.tc/H of Benjamin Gaulon’s YouGlitch site running as part of the  “Everybody VJ” event.  The video was databent and these subtle, surreal frames were extracted.  Electric light impressing numbers upon optical media.

December 12, 2012

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Forest for the Trees (Series)

HD video shot while driving through the Rocky Mountain National Park was databent in Audacity.  Images are stills pulled from playing back the compromised file in Quicktime 7 Pro.  Playback artifacts are highly dependent on the way in which the timeline is scrubbed.

December 11, 2012
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Forest for the Trees (Series)
HD video shot while driving through the Rocky Mountain National Park was databent in Audacity.  Quicktime 7 Pro playback artifacts are animated to produce the following GIF.

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Forest for the Trees (Series)

HD video shot while driving through the Rocky Mountain National Park was databent in Audacity.  Quicktime 7 Pro playback artifacts are animated to produce the following GIF.

December 9, 2012
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Forest for the Trees (Series)
HD video shot while driving through the Rocky Mountain National Park was databent in Audacity.  Quicktime 7 Pro playback artifacts are animated to produce the following GIF.

344 of 366

Forest for the Trees (Series)

HD video shot while driving through the Rocky Mountain National Park was databent in Audacity.  Quicktime 7 Pro playback artifacts are animated to produce the following GIF.

December 5, 2012

340 of 366

Forest for the Trees (Series)

HD video shot while driving through the Rocky Mountain National Park was databent in Audacity.  Images are stills pulled from playing back the compromised file in Quicktime 7 Pro.  Playback artifacts are highly dependent on the way in which the timeline is scrubbed.

October 23, 2012
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Confetti Mandala Piñata No. 1
Stills from a datamangled video file.

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Confetti Mandala Piñata No. 1

Stills from a datamangled video file.

October 15, 2012

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Dual Faders

Does the Audacity datamashup technique work with other uncompressed formats?  Hells yeah!  Stills from two mashed up DV format video files made from GIFs left on the editing room floor.

October 14, 2012

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Sand Snow Water Sky

Datamashup of images using Audacity, zoomed and cropped.

October 13, 2012

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Salt and Traffic Light Sunsets

Selected crops of a datamashup (as described in previous post) using audacity and TIFF files of different aspect ratios.

October 12, 2012

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Audacity Datamashups

Testing out a new trick: mixing images in Audacity.

Recipe:

  • Convert files to TIFF
  • Import images as tracks into Audacity using: Raw Data, A-Law, Default Endianness, 1-Channel (mono), no offset, 100%, 44100Hz sample rate
  • Zoom in on the top of each file and find the waveforms that correspond to the file header.  Keep one header, delete the other(s) by selecting and using Generate, Silence.
  • Scroll to the ends of each file.  Identify the header (tailer?) for whichever file is longer (or whichever file size you want in the end).  For all other tracks delete data to a point before the beginning of the header you wish to use.  Basically, each header will look approximately the same and fairly different from the image data (which will be unique for each “layer”).  Giving the header a bit more breathing room is a good practice until you get the feel of how close you can cut things.
  • Export using “Other uncompressed files”.  Select A-Law in the options.  Be sure to add TIFF as the file extension.

Hints: Mashup the data of two files of different aspect ratios for some cool effects.  You can apply different audio effects to the tracks/layers you removed the headers from without fear of killing the file.  Try mixing files with or without (or a combination thereof) alpha layers.

FYI - The source images were scans of 35mm film I shot over the past few months.  And, yes you may have seen one of them on the tumblr radar recently.

September 10, 2012

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Internal Combustion Engines

Images shot using a Canon 20D in burst mode were animated in QT and exported as an h.264 MOV file and databent.  The scenery was highway 97 south leaving BWI Airport.